1.Literature:

• “The look at the wall with the mantania”, collection of short stories. Hellinika Grammata Publications, Athens 2001.
• “My God”, novel. Taxideftis  Publications, Athens 2004.
• “The yellow umbrella”, novel. Metaichmio Publications, Athens 2007
• “The shadow of Mika”, novel. Taxideftis Publications, Athens 2013.
• “The last five damns”, novel. Taxideftis Publications, Athens 2016.
• “Odos Ophthalmiatreiou/ Ophthalmology clinic Street”, novel. HESTIA Bookstore Publications, Athens 2019
• “Drolapi”, novel. HESTIA Bookstore Publications, Athens 2023.
• “Grivadi”, novel. HESTIA Bookstore Publications (in press).

In addition to these, he has published short stories in

a. Magazines:

• IAMVOS (I am Papalina, the temptress of Amvrakikos gulf),
• Mandragoras (The bell, The terrace, An mismatched couple, the Saab, The aunt),
• Magazine K ef. Kathimerini (Elpidaaaaa!!!Helpeeeeee!),
• Entefktirio (I am passing through my dream, incurable),
• Paremvasi (Žižek's Eve),
• Electronic magazine “oanagnostis” (The Language of Trees),
• Electronic magazine culturebook.gr (Tracking, Mrs. Domnitsa, The Ziaka, My Bird, Sad to Death).

b. Collected volumes

• “Thalis”, volume A. Lydakis (ed.), Man and the Other Animals. Papazisis Publications, Athens 2018, pp. 2009-13.
• “The Petakas of Lenas Botsari”, in the volume Alexia Kalogeropoulou (ed.), Conversations with the People of 1821. 21 Writers for ’21. Short Stories and Narratives. 24 Grammata Publications, Athens 2021, pp.42-57.
• “The Broad-Faced Smile”, Calendar 2023. 50 Years since the Polytechnic Uprising. With Texts by PEN Greece Members. Angelakis/Pen Greece Publications, Athens 2022.
• “Marina”, Calendar 2024. The Elimination of Prejudices. With Texts by PEN Greece Members. Angelakis Publications/ Pen Greece, Athens 2023.
• “The Straw Hat and the Hen”, in the volume (anthology by Antonis D. Skiathas, edited by Angeliki Pehlivani) Mirrors of the Sweet Country of Cyprus. Hellinoekdotiki Publications, Athens 2024, pp. 29-33.
• “The Agony of the Pigs”, in the bilingual volume (Anthology by Antonis D. Skiathas, Translation-edited by Zozi Zografidou), Cries from the Earth/ Grida dalla Terra. Hellinoekdotiki Publications, Athens 2025, pp. 30-31.

c. In newspapers

• “The Changing Mat of the Blue Coast”, Emmy Dourou (ed.), The Secrets of the Sand. Seven Greek authors write, Ef. Documento/ Docville, August 13, 2022.

2. Scientific books

• “Preveza 1945 - 1990. Aspects of the transformation of a provincial town”. Municipality of Preveza Publications, 1992.
• “The identity of the region in the interwar period. The example of Epirus”. Kardamitsa Publications, Athens 1993.
• “The folk tale. Theoretical approaches”. Odysseas Publications, Athens 1994.
• “The child in traditional and modern society”. Hellenica Grammata Publications, Athens 1996.
• “Popular speech ministering to the divine wisdom. Basil the Great, At the beginning of proverbs”. Hellenica Grammata Publications, Athens 1997.
• “From Maritsa to Evros. Cultural convergences and divergences”. Municipality of Tychero, Alexandroupoli 1998.
• “Once upon a time…. but it can also be done now. Education as a place for the formation of fairy tales”. Hellenica Grammata Publications, Athens 1999.
• “Our village has fallen into ruin. Stories of the rise and fall of Lefkimi village, Evros”. Municipality of Tychero, Alexandroupoli 2002.
• “Music and musicians of Thrace”. Cultural Development Enterprise of the Municipality of Alexandroupoli, Alexandroupoli 2002 (With G. Papadakis).
• “Thrace and the others. Tracing cultural boundaries and historical memory”. Odysseas Publications, Athens 2007.
• “Introduction to the Studies of Popular Culture. Folklore, Popular Cultures, Identities”. Kritiki Publications, Athens 2009.
• “From the matchmaker to the matchmaking offices”. Pedio Publications, Athens 2010.
• “Childhood and Passport Ceremonies”. Pedio Publications, Athens 2012.
• “Preveza 1912-2012. Liberation, newspapers and the perspective of the city”. Preveza 2012.
• “Societies and cultures of Southern Pindos”. Pedio Publications, Athens 2012.
• “ Popular belief and social organization”. Pedio Publications, Athens 2013.
• “The city. Folkloric and ethnographic perspectives”. I. Sideris Publications, Athens ;2016.
• “Oral history and folk mythologies”. Taxideftis Publications, Athens 2017.
• “Feasts and Festivals. Borders, folk events and ceremonies". Epikentro Publications, Thessaloniki 2017.
• "Eros the Insidious and the traditional ;Song. Passions and Pains". Manifesto Publications, Athens 2023.

3. Editιng ;Publications

• “Proceedings of the International Conference ‘The History of Preveza’”. Municipality of Preveza Publications, Preveza 1993.
• “Proceedings of the Scientific Symposium ‘Kostas Krystallis’”. Municipality of Preveza Publications, Preveza 1994.
• “Proceedings of the Scientific Symposium ‘Nikolaos Konemenos. A Radical Scholar of the 19th Century’. Municipality of Preveza Publications, Preveza1995.
• Collective volume “From Fairy Tale to Comics. Tradition and Modernity”. Odysseas Publications, Athens 1996.
• “Crete and Popular Culture. Localities: Resistances, Changes, Syntheses”. Taxideftis Publications, Athens 2007.
• “Dance Varieties” (Co-edited with Rena Loutzakis and Christos Papakostas). Hellenica Grammata, Athens 2004.
• “Joy and Pain in Syrrakos.: Marriage- Foreign Life- Death. Symposium Proceedings (Yiannena-Syrrako, 19-20 May 2007)”. Syrrako Association of Ioannina, Ioannina 2008.
• “The Aspropotamos region in Space and Time. Philekepaideftiki Adelphotita Tzourtzas Athamanias”, Trikala 2009.
• “Folk Cultures and Borders in the Balkans”. Pedio Publications, Athens 2010.
• “Seklo of Magnesia. Economic, Social and Cultural Contrasts and Changes”. Municipality of Aisonia, Volos 2010.
• “Dimini and Paliouri of Magnesia. Space and Identity” (co-edited with Elena Botsi and Panagiota Politi). Municipality of Aisonia, Volos 2010.
• “Folklore Readings in Greece and Turkey” Pedio Publications, Athens 2012.
• “Proceedings of the 4th Panhellenic Conference ‘Popular Culture and Education’” (19-21 October 2012, co-edited with Sonia Koziou). Center for Historical and Folklore Research “Apollo” of Karditsa- University of Thessaly/ Department of History, Archaeology and Social Anthropology, Karditsa 2014.
• “Greek Popular Tradition. From the past to the future". Alexandros Publications, Athens 2014.
• "Researching the presence of ;Syrrako village in space and time" (co-edited with Spyros Dalaoutis). Municipality of North Tzoumerka, Preveza 2014.
• Cultures on the Internet. Pedio Publications, Athens 2016.
• "Proceedings of the 5th Panhellenic Conference ‘Municipal Song and History' (co-edited with V. Koziou). Center for Historical and Folklore Research "APOLLO" KARDITSA UNIVERSITY OF THESSALIA/ IAKA, Karditsa 2016.
• "Proceedings of the 6th Panhellenic Conference 'Plants and Herbs in Popular Culture and Science'". Historical and Folklore Research Center "APOLLO" KARDITSA- UNIVERSITY OF THESSALIA/ IAKA, Larissa 2017.
• "Kostas Krystallis, the return. 150 years since his birth (1868-2018)". Petra Epirotic Publications/ Series Ex Epirou, Athens 2018.
• "Land and Struggles of the Inhabitants of Plain Thessaly - Karagounides. Proceedings of the 4th Panhellenic Ethnological Conference of Indigenous and Native Thessalians - Karagounides" (co-edited with V. Koziou). Amphictyony of the Thessalian Karagounids, University of Thessaly/IAKA, Region of Thessaly, Municipality of Killeler, Karditsa 2018.
• “Love through the traditional Song, dedicated to Claude Fauriell (1772 – 1844)”. University of Thessaly/ IAKA, General Archives of the State Prefecture of Karditsa- Municipality of Limni Plastira- French Institute of Larissa, Karditsa 2020.
• “Ioannis Kolettis. Political Action and Illustrations”. K. @ M. Stamouli Publishing House, Thessaloniki 2023.
• “Christophoros Milionis. New Interpretive Approaches to His Prose”. Egokeros Publications/ Series “West of Pindos. Writings for Writers- 1”, Athens 2023.
• “ ‘The Grooves of Life. Environment, Technology and Society’. Proceedings of the 8th Summer School of Tzoumerka and Southeast Pindos (Gardiki, Fthiotida, 22-27 August 2022)”. Summer School of Tzoumerka and Southeast Pindos / Department of History, Archaeology and Social Anthropology of the University of Thessaly, Municipality of Makrakomi, Fthiotida, K. @ M. Stamoulis Publishing House, Thessaloniki 2023.
• “Kostas Krystallis, a premature rebel. Apanta. K. @ M. Stamouli Publishing House, Thessaloniki 2024.
• “ ‘Paths of Taste’. Proceedings of the 9th Summer School of Tzoumerka and Southeast Pindos (Gardiki, Phthiotis, 21-27 August 2023)". Summer School of Tzoumerka and Southeast Pindos / Department of History, Archaeology and Social Anthropology of the University of Thessaly, Municipality of Makrakomi, Phthiotis, K. @ M. Stamoulis Publishing House, Thessaloniki 2025.
• "The World of Sotiris Demetriou' Prose" (Co-edited with Kostas Karavidas). Egokeros Publications / Series "West of Pindos. Writings for Writers- 2", Athens 2025.

• The novel Odos Ophthalmiatreiou (Hestia, 2019) received the Greek Novel Award at the Athens Prize for Literature (2020). It was also shortlisted for the 2020 Public Book Awards in the “Greek Novel” category and was among the nine novels recommended by the Institute of Educational Policy of the Ministry of Education for inclusion in the high school literature curriculum.
• The novel The Yellow Umbrella (Metaichmio, 2008) was shortlisted for the 2008 Novel Award by Diavazo magazine.

7 Faidras Street, 481 00 Preveza, Greece

Arsinoe was searching for a solution, a deus ex machina. She had stretched out her hands, looking for something to grab onto, to slow the descent. To her right, her palm clutched at something—she couldn’t recognize what it was, but she felt a sharp pain from the plant’s thorns. She screamed in pain, as if nails were being driven into her. The scream was her answer, her decision to defeat the beast. She had allied herself with the raging weather and the river that was preparing to receive her sacrificial offering.; The downward plunge lost its strength; she dragged along for a few more meters, until a bramble bush blocked the way to the water.

She felt relief, although that word would better describe her emotional state when she returned to the hotel and recounted her ordeal. All the excursionists expressed admiration that she had dared defy the weather. You’re a heroine, you’ll become a member of the mountaineering club, we need brave people like you.

     She remained silent. Maybe you should register the thistle as a member, she thought. Kostas was a few meters away; he had seen the fall. At first, he thought it was a landslide, but when he heard the scream, he immediately ran to help her. He helped her up. You owe thanks to the thistle, he said simply. You carry madness by ton. I had thought myself without equal.

They climbed up a slope, from where they had a clear view of the bridge. They leaned their backs against the wide trunk of a tree. The bridge, Kostas murmured, is dying. I warned  them, but they heard nothing. The roots have locked the eastern footing in a headlock. No one cared.

      He hugged her tightly, and Arsinoe rested on his chest, against the raincoat. Any moment now, the bridge’s soul will depart^. it’s dying, can’t you hear it?  She couldn’t see his face, only the veins in his neck bulging. The bridge was struggling to resist. The water clung to its central arch, the only trace still visible. At that moment, it seemed like a drowning person, desperately trying to plant its feet in the riverbed, to keep its head above water, to breathe one more time.

    Dawn broke. The darkness receded. The waters lapped at the central arch, almost playfully. Kostas’ fears had not been in vain. The sounds of cracking followed one after another, as though something deep within were giving way. The water battered the bridge with fury, exerting immense pressure upon it. The bridge had entered a Greco-Roman wrestling match, fighting to breathe. It couldn’t have known, of course, the reaper always wins in the end, either because it’s written into the biological circuitry of human creations or because arrogance blinds them to what everything already declares: humans are the weakest link.

The water spouts taunted, sticking out their tongues, it was their moment to respond to the age-old conflict between nature and man, who fancied himself victorious. Nature watches and waits, knowing the folly of human pride; it bides its time, searching for weaknesses to launch its assault.

Arsinoe moves toward the edge of the elevated riverbank. The bridge’s central arch seemed to teeter like a seesaw with the raging waters. The crashes continue. Until the bridge gives in. The central arch collapses. The sound of the collapse is louder than the roar of the water. The bridge kneels; furious nature amputates it. Kostas is silent; he collapses to the ground. Arsinoe, alarmed, follows. His forehead touches the muddy earth. He scratches at it with his nails, presses his muddy hands against his cheeks. Only a dry sound comes from his mouth, like a death rattle. All I have left, he whispers, are the drawings I made for her.